If you have a few minutes and love both art and trees, you would do well to read this post by art blogger Tyler Green: “The Tree Is Known by His Art”. As a painter of trees myself, it was fun to see the different ways they have been represented by some well-known artists.
Struggle is a necessary part of being a painter. Though I’ve always known this, it’s often forgotten. I’m not talking about struggle in the tormented, anguished loner sense, but in the technical sense. We can always be better painters. There’s always an achievement that is elusive, a gap between what our mind sees and what our hand does.
The sooner we can accept this struggle–or even embrace it–the more likely we will continue painting. And it’s not all about technique. After all, we’re artists and not merely craftsmen. Nevertheless, there is a vision our mind strives to project, and much of the time our technique feels inadequate. This is one of the more compelling reasons to spend hours in the studio, so a technique can be developed that is sufficient for our vision.
We have to be comfortable with this struggle. There are happy accidents, too–times when we surprise ourselves with a nearly effortless series of great brushstrokes. These happy accidents may help us along in our journey or make the burden of expression lighter, but if one is to continue painting, struggle will be a constant reality.
The painting for Arthur’s room is now complete. Soon we will have it framed, and it will most likely hang above his crib (safely out of reach, of course). I couldn’t resist rendering the bear in blue. It’s part of my need to experiment with color. As soon as I’m able to have high resolution photos made, I will post the entire painting here. For now, I hope you enjoy this close-up detail. Thanks for clicking on the link!