Writing Advice Comes Cheap

Twitter: “Work to discover your style of writing voice.” #amwriting #amediting

Me: “But I’m pulled between Virginia Woolf and David Foster Wallace.”

My inner voice: “Neither of which are YOU, Alan.”

So goes the internal conversation for a writer who’s deep in his first novel. Though I’d like to write more often, I’m largely happy with my progress. About three-fourths of my original length goal has been committed to Word, and I have a routine in place that should get me to the end of my first typed draft before the year’s up, maybe. Hopefully.

An artist’s influences are never far from his work, perhaps, and there’s always the danger of derivation, or the temptation to outright mimic. A little thrill moves through me whenever I write something I think Virginia Woolf could’ve written, so I understand the temptation. But no one can out-Virginia Virginia. Therefore, then, the task becomes figuring out how to simply do Alan. This is the part demanding artistic grit–the part that only the artist can discover, and usually only after years of working. A writer’s voice can’t be gifted him from a well-meaning source, and it can’t be borrowed. Few are the Mozarts, who seem to have been born with their gift; many more are the van Goghs, who labor in obscurity. (Van Gogh would’ve been quite amused by the modern conception of him as a tortured genius; tortured he was, but only two or three thought him even talented, much less a genius.) The question I have for the universe is this: will I know when I find my voice?

A screenshot from this morning.

I got down about six-or-seven-hundred words today. Through the large plate-glass window of my early-morning Starbucks, I could see the steady rain. The gray dawn looked wintry, but the actual outside air was more like room-temperature. Some of what I wrote, I liked, but just as much will improve with the second writing. In the meantime, I will work, and if I work enough, then maybe my writerly voice will come.

Alan D. Tucker
Content Writer, Essayist, & Novelist

A Dispatch from the Surging Swell

A solitary consciousness, crying out from the surging swell, but using no words: this is the nature of the quiet desperation at the heart of human experience. Does the loneliness sneak up on you? Are you uncomfortably made aware, on the morning commute, of the unavoidable isolation of being conscious? It seems an irony befitting a race that sees its death approaching from earliest youth, like a mountain that anchors every landscape view, no matter where you stand.

But even if we couldn’t see death’s approach, would we do things any differently? It’s a legitimate question. I don’t know that I would watch any less or any more Netflix, or indulge any less or any more in the things I routinely indulge in (hello, Reese’s cups). Would I bother writing? Or is there something about that pale horse and its bony rider that compels me to document these ranging thoughts; to labor away, in the pre-dawn hours, at fiction and at memoiristic meditations on the poetry of Rilke? Probably, on some elemental level, there is something of the dread behind these efforts.

Yesterday I was driving home from my eldest son’s piano lesson, and the sunset caught the trees in such a way that the part of me that responds to art welled up of its own accord (the “of its own accord” part is necessary–it’s how I know I’m in the presence of great art). My first impulse was to take a picture, but I was driving, and I knew that my phone couldn’t capture the true essence of the sunset anyway. So then I thought about how often our first impulse in the presence of beauty is to try and capture it, and then I was hit with the sadness of our inability to do just that. Isn’t there just so much that we wish to do, but we can’t? Beauty can’t be bottled, and there aren’t enough Instagram filters to make an experience communicable to another person. There’s a tremendous sadness in this.

Grad School Hangover

The most acute contractions of our ever-birthing souls are unutterable: inward-wrung and full of psychic ache. Alan, what in heaven is an “ever-birthing soul?” It’s the phrase I concocted yesterday morning to represent the central core of personhood, a terrain beyond vocabulary. I’m leery of this kind of writing—it’s too easy for someone to sound smarter than they are. But this deep questioning of existence was the thing peeping up out of its muddy burrow on a gray Monday—the thing demanding a response. And so I’ll obey, despite the risk of entire paragraphs falling out fluffy, like the sugar-spun drivel of amateur philosophers (I’ve been that guy; I pray I’m not still). Such writing is only tolerable when poeticized by a Rilke or fictionalized by a Kafka. But this is my blog, so I’m taking liberties.

I can’t prove that our souls’ ache has a cause; perhaps it simply is. Like infinitude held hostage. I know this is neither entertaining nor touching, this self-conscious self-examination. And I know the Christian response to the first sentence of this paragraph. But as I did with my thesis, I am approaching this dilemma from a purely human place, free of doctrinal or spiritual association, just to see (just to see!) if these questions that haunt us—these mysteries of existence—can bear the weight of of honest self-directed questioning, without recourse to inherited systems. Drivel, indeed. It’s no fun to read about this stuff, unless it’s cleverly buried in poetry or fiction. This subject is too big for a blog post anyway.

So what’s really going on, I think, is a graduate school hangover. Friday night was Belmont’s December graduation, and I finally secured the master’s degree I’ve always wanted. And while the end of this four-and-a-half year foray into academia brings not only relief but also excitement about new possibilities and free time and choosing my own books to read, there is also something a little like grief. Not a blubbering bereavement, but a quiet, disorienting kind–one that’s left me unsure how to feel for several days now.

It was strange to sit inside that gymnasium at the Curb Event Center, surrounded by celebration, where families cheered as if at a sporting event; seeing all those fresh-faced undergrads brimming with their goals met; and me in the next-to-last row, growing more anxious every moment, tottering between exhilaration and depression (a sensation not unlike puberty). I wonder what the lone Ph. D. candidate behind me was feeling. The experience was so different from when I was twenty-two. The younger me would’ve assumed certain things about what the future held, but the current me holds no such convictions. The current me struggles to see past the thing I’ve lost: my status as a student. I’ve loved being a student.

My thesis advisor told me that writing a thesis changes a person, and that it may be a while before that person realizes just how. As with many things Dr. Paine says, the statement carried a whiff of indisputable wisdom (and he’s advised enough theses to know). I can attest to feeling different, but as to the nature of this difference, I haven’t a clue. Not yet. For now, what I must do is languish in the bone-white comforts of winter; in the straw-colored and misty gray promise of a season of waiting.